Joe Konieczny is a Toronto based writer and creator whose practice can best be described as deep learning. In his writing, this takes the form of meticulously researched and contextualized historiographies of artists and institutions on the African continent. Recent and upcoming works include a memorializing of the late curator Okwui Enwezor, analysis of works by Myriam Syowia Kyambi and Bulelwa Madekurozwa, and a forthcoming manuscript on the 2022 edition of Rencontres de Bamako. Joe’s creation is informed by meditative research on the intersections of postmodern cultural theory, Marxist political critique, and a fascination with the apocalyptic potential of new technologies. Created with a mix of archival film, machine learning logic, and non-visual technologies, Joe’s works push the boundaries of formal visual analysis by attempting to propose a new and more inclusive archive informed by his anticolonial politics.
Outside of his personal practice, Joe has held a range of institutional experiences. As half of the curatorial braintrust Serious Curators Against Monotony (S.C.A.M.) he has worked with groups including Toronto-based Silverfish Magazine and the Joan and Martin Goldfarb Study Centre at York University. Joe is a facilitation assistant for Ways of Attuning, a study group at the Critical Distance Centre for Curators, a manager for the Avrom Yanovsky Teaching Collection, and an independent art critic. He is always looking for collaborations, so don’t hesitate to get in touch.
Outside of his personal practice, Joe has held a range of institutional experiences. As half of the curatorial braintrust Serious Curators Against Monotony (S.C.A.M.) he has worked with groups including Toronto-based Silverfish Magazine and the Joan and Martin Goldfarb Study Centre at York University. Joe is a facilitation assistant for Ways of Attuning, a study group at the Critical Distance Centre for Curators, a manager for the Avrom Yanovsky Teaching Collection, and an independent art critic. He is always looking for collaborations, so don’t hesitate to get in touch.
Joe Konieczny Projects
Toronto / Tkaronto based artist, curator, and historian.
Find me on Instagram, LinkedIn, and Google Scholar.
Get in touch:
joe [at] joekonieczny [dot] com
Researching
Curating
Creating (links in progress)
- Personal History
- Nisaidie / Active Call for Information
- Myriam Syowia Kyambi + Rose
- Ibrahim El-Salahi + “The Inevitable”
- Betye Saar + Atrocity Materials
Curating
Creating (links in progress)
- Existing in Three Dimensions
- Smile!
- The Same Era / True Information
- Empty Calories
Nisaidie / Active Call for Information
KiSwahili
Ninatafiti "1998 Mobil Heritage Biennale" Harrare. Uandishi wa Kiingereza juu yake ni mbaya sana. Nakala nyingi zinatokana na habari bandia. Ikiwa una maelezo ambayo yanaweza kukusaidia, tafadhali wasiliana nami. joe [at] joekonieczny [dot] com.
English
I am currently searching for information on the 1998 (sometimes stylized as 97) Mobil Heritage Biennale in Harrare. Existing English scholarship on this event is extremely limited and often factually inaccurate. If you have information or sources that could help further this research, please contact me: joe [at] joekonieczny [dot] com.
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